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・ Steve Brown (English darts player)
・ Steve Brown (footballer, born 1961)
・ Steve Brown (footballer, born 1966)
・ Steve Brown (footballer, born 1972)
・ Steve Brown (footballer, born 1973)
・ Steve Brown (ice hockey)
・ Steve Brown (musician)
・ Steve Brown (wheelchair rugby)
・ Steve Brown (yo-yo player)
・ Steve Browning
・ Steve Broy
・ Steve Brozak
・ Steve Bruce
・ Steve Bilko
・ Steve Billirakis
Steve Binder
・ Steve Binetti
・ Steve Bing
・ Steve Bingham
・ Steve Bingham (guitarist)
・ Steve Binns
・ Steve Biras
・ Steve Bird
・ Steve Birdsall
・ Steve Birnbaum
・ Steve Birnstill
・ Steve Bisciotti
・ Steve Bisley
・ Steve Bitker
・ Steve Bizasène


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Steve Binder : ウィキペディア英語版
Steve Binder
Steve Binder is an American producer and director.〔(The Caucus )〕 He found success behind the camera on influential TV shows showcasing music, like ''The T.A.M.I. Show'' and ''Hullabaloo'' (from the early 1960s, when Binder was only in his early 20s).〔"Elvis the comeback'". ''Record Collector'', 357 (Christmas 2008), p.61〕 He was also influential in creating music programs with racially and ethnically diverse casts, featuring a variety of musical styles.
Binder is arguably best known as director of ''The T.A.M.I. Show'', ''Elvis Presley's '68 Comeback Special'',〔(Elvis - 68 Comeback Special - Elvis Presley )〕 and Diana Ross' Central Park concert in which a torrential thunderstorm passed through minutes into Ross' first set, and ''Star Wars Holiday Special''. In addition to working with Petula Clark and Elvis, Binder also worked on numerous TV shows and specials with Steve Allen, Chevy Chase, Patti LaBelle, Barry Manilow, Wayne Newton, Mac Davis, Liza Minnelli, and Pee-Wee Herman.
==Petula Clark TV special==
In 1968, Binder was working at NBC. Its executives invited Petula Clark—who had appeared on ''Hullabaloo''—to host her own special. While singing a duet of "On the Path of Glory" with guest Harry Belafonte, she touched his arm, to the dismay of Chrysler, the show's sponsor. The car giant feared the brief moment would offend Southern viewers at a time when racial mixing was still a major issue of controversy in the US. Chrysler insisted "the touch" (as it became known) should be edited and substituted with a different take. However, director Binder, Clark and her husband/producer refused, destroyed all other takes of the song, and delivered the finished program to NBC with "the touch" intact. It aired on April 8, 1968 to high ratings and critical acclaim, and marked the first time a man and woman of different races exchanged physical contact on American television.〔(【引用サイトリンク】 work=First Amendment Center )

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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